' name wound up seeming pretty accurate: their music was grounded in traditional country, blues, and folk, yet drifted along in a sleepy, narcotic haze that clearly bore the stamp of
. The vast majority of their songs were spare and quiet, taken at lethargic tempos and filled with languid guitars and detached, ethereal vocals courtesy of
. Over the late '80s and '90s, the group recorded a succession of critically acclaimed albums that found favor in the alternative rock community.
The Cowboy Junkies were founded by guitarist/songwriter
Michael Timmins and bassist
Alan Anton (born Alan Alizojvodic), who first played together in a Toronto-based band called the Hunger Project in 1979. They later moved to the U.K. and played with an avant-garde instrumental outfit called
Germinal, but eventually grew weary of the group's style and returned to Toronto in 1984. They started jamming with
Timmins' brother
Peter on drums, and in 1985 they recruited a vocalist in sister
Margo, at the time a social worker who'd never sung publicly before. Dubbing themselves
the Cowboy Junkies simply because the name had a ring to it, they formed their own independent label, Latent, and released their debut album,
Whites Off Earth Now!!, in 1986. Featuring only one original song, the album was recorded using only one microphone, and although it was initially available only in Canada, it helped them land a major-label deal with RCA. Their first widespread release was 1988's
The Trinity Session, which was recorded inside Toronto's Church of the Holy Trinity in the span of one night -- again using only one microphone.
The Trinity Session became a cult hit, earning rave reviews from critics and substantial college radio airplay for tracks like "Misguided Angel" and their cover of "Sweet Jane."
Now an underground sensation,
the Cowboy Junkies decided to concentrate more on
Michael Timmins' original material for the bigger-budget follow-up, 1989's
The Caution Horses. The album didn't cause quite as much of a stir, although it helped maintain their cult fan base. Released in 1992, the even more countrified
Black Eyed Man found
Timmins settling more comfortably into his songwriting voice, which set the stage for 1993's
Pale Sun, Crescent Moon. Hailed as their finest effort since
The Trinity Session, the record bore more influence from rock and blues, and returned
the Junkies to critics' darling status. However, it also proved to be their final album of new material for RCA. As the band left for Geffen, RCA issued the two-disc live compilation
200 More Miles and the best-of
Studio. Meanwhile,
the Junkies debuted for Geffen in 1996 with
Lay It Down, a relatively high-volume effort compared to their shimmering early work.
Following 1998's
Miles from Our Home,
the Cowboy Junkies parted ways with Geffen and revived their own Latent label. Their first release was the 2000 live album
Waltz Across America, which was initially available only through the band's website. They followed it a year later with an album of all-new material,
Open.
One Soul Now followed in 2004. In 2005, the group released
Early 21st Century Blues, a collection of covers -- and two originals -- that dealt with "war, violence, fear, greed, ignorance and loss." Recorded in just five days, it harked back to
The Trinity Session. Later that year, the band was featured on the
Beatles tribute album
This Bird Has Flown, which was produced by
Jim Sampas and featured various artists including
the Donnas and
Dar Williams.
Meanwhile, the band was busy collaborating with visual artist Enrique Martinez Celaya on a commemorative art book. Released in 2006,
Cowboy Junkies XX was a retrospective piece intended to celebrate the band's 20th anniversary. It featured original watercolors by Celaya, handwritten song lyrics, and photographs gathered from the bandmembers' personal collections. The band released a new album called
At the End of Paths Taken in the spring of 2007, followed several years later by the announcement of the so-called
Nomad Series, an 18-month cycle that aimed to produce four albums built around common (but separate) narratives. Renmin Park: The Nomad Series, Vol. 1 was released in 2010. Following closely on its heels was 2011's Demons: The Nomad Series, Vol. 2, a covers album featuring songs originally written by the late Vic Chesnutt, the band's longtime friend and occasional tourmate. The third volume, Sing in My Meadow, released later in 2011, featured a live, garage rock sound, while the fourth, The Wilderness, which appeared early in 2012, featured new songs and completed the ambitious
Nomad Series project. A box-set featuring all-four
Nomad Series albums, plus a disc of extras, also followed in 2012.
–
Steve Huey & Steve Leggett, Rovi