The most original rock bassist to come along in the '90s was unquestionably
. With his oddball sense of humor and funky playing,
took his varied musical influences and created an invigorating and completely inventive style. The
story begins on September 29, 1963, when he was born in Richmond, CA. As a teenager,
. It was around this time that
. Although
to join a band he was in, he opted for another group in his high school, progressive metallists
, while broadening his musical horizons by playing in jazz and swing bands. Upon discovering such fusion and funk bass greats as
began incorporating "slapping" into his playing technique.
After graduation,
Claypool played in a local cover band, the Tommy Crank Band, which specialized in blues, R&B, funk, and mainstream rock hits. Playing several sets a night almost every night of the week, he sharpened up his improv skills, and after a short while, there wasn't a musical style that he couldn't pull off convincingly. It was while with Tommy Crank that
Claypool bought his first Carl Thompson piccolo bass (after seeing
Stanley Clarke play one), an instrument that would become his trademark. It was around this time (early to mid-'80s) that
Claypool began demoing his own original compositions, which would become the impetus for
Primus. Originally called Primate,
Primus consisted of guitarist
Todd Huth and drummer
Jay Lane in addition to
Claypool, who also contributed vocals (in a strange sing-speak style, almost akin to a narrator) in addition to bass. Although the trio instantly created an underground following in the San Francisco area,
Primus was put on hold when
Huth left and
Claypool returned to
Blind Illusion (whose sound now resembled a thrash metal band), and appeared on the group's lone album,
The Sane Asylum, on Combat Records.
His return to
Blind Illusion didn't last long, but he met a kindred musical spirit in
BI's guitarist,
Larry LaLonde. By 1989, a new
Primus lineup was formed --
Claypool,
LaLonde, and new drummer
Tim "Herb" Alexander -- and not long afterward, their first album was issued, the live set
Suck on This. The album caused such a buzz with college radio that the independent label Caroline signed the group, resulting in the reissue of their debut and their sophomore effort, 1990's
Frizzle Fry, while the trio toured with such bands as
Jane's Addiction and
24-7 Spyz. 1991 proved to be an even better year for the group, as their major-label debut (for Interscope),
Sailing the Seas of Cheese, reached gold status a year after its release, as the trio opened for such varied artists as
Public Enemy,
Anthrax,
U2,
Fishbone, and
Rush.
Primus scored a surprise Top Ten hit with 1993's
Pork Soda (and subsequent headlining spot on that year's Lollapalooza festival tour), solidifying the band's status as quirk rock's undisputed kings, as more hit releases followed throughout the decade and new millennium:
Tales from the Punchbowl,
The Brown Album,
Rhinoplasty, and
Antipop, as well as the theme song to TV's South Park (
Claypool also tried his hand at directing the band's videos). In addition to his
Primus duties,
Claypool has always had time for side projects --
Sausage (a reunion of the original
Primus lineup),
Les Claypool and the Holy Mackerel (
Highball with the Devil),
the Frog Brigade (
Live Frogs,
Purple Onion), and
Oysterhead -- as well as guesting on albums by other artists (
Buckethead,
Jerry Cantrell,
Victor,
Limp Bizkit,
Tom Waits,
Rob Wasserman). He released
Of Whales and Woe in 2006, the first project solely credited to the man himself.
–
Greg Prato, Rovi